Aline Bispo (São Paulo, SP, 1989) is a Brazilian multidisciplinary visual artist, illustrator, and independent curator. She currently works as a curator at the Instituto Ibirapitanga and is a columnist for Nós, Mulheres da Periferia. Her artistic practice investigates themes that intersect Brazilian miscegenation, gender issues, and religious and ethnic syncretisms, weaving memory, identity, and ancestry into visual narratives
of strong symbolic power.

She is part of a group of artists whose works have been exhibited and/or incorporated into major institutional collections, including MASP, IMS Paulista, Pinacoteca de São Paulo, SESC, Museu Afro Brasil, Itaú Cultural, MAM São Paulo, and MAC-RS, as well as collections and institutions such as the Latin Grammy and Galeria Luis Maluf.

She currently has three large-scale murals installed at Parque Minhocão in São Paulo, the first titled Salve, Lélia!, a tribute to intellectual, philosopher, and
activist Lélia Gonzalez.

Aline has also illustrated the covers of several books, including Torto Arado and the entire trilogy by Itamar Vieira Junior. She is co-author of Serena Finitude, alongside Anelis Assumpção, and provides weekly illustrations for Djamila Ribeiro’s column in Folha de S.Paulo

Working across disciplines, she has expanded her practice into the fields of fashion and advertising. She has launched collections for brands such as Hering, developed projects presented on the São Paulo Fashion Week runway, and collaborated with brands including Adobe, Tok&Stok, Natura, Dengo, and Carolina Herrera. In 2025, alongside Flávia Aranha, she joined the MASP collection with the works Cio da Terra I and Cio da Terra II, developed through the program MASP: Art and Fashion.